Come in! There are a few adventures I’ve written about, but most of the content offers classes in photography and mentoring for photographers, including photo theory, which, although a vital part in our profession, is largely an overlooked subject in all published media that profits from and feeds our gadget minded mindset today.
Fragmented Reclined
This is an escape into “photography as art.” A departure from the next photographic presentations of Spain and Portugal, which I can only go so far as describing “artistic” at its best.
I just completed some visions of Fragmented Reclined as part of the series named Fragmented, which can be found with the link https://jamesschotgallerystudio.com/photo-art/fragmented-series/
The photographer does not select and shape every minute detail of the work.
Every picture can tell a story.
This is the true story about a straight photograph that took place in a Tango World.
I’m not going to bore you with the technical details on how “electric” versions were creatively photographed, except to mention it was all done in camera at the time of exposure.
An article titled “The Four Season” by Editor Terry Hope caught my eye in the recent issue (#96) about the shooting of a contact lens advertisement for ACUVUE.
February 9, 2014 To the Photographic Art World: This is in response to the Art & Design article in the New York Times “With Cameras Optional, New Directions in Photography, by Philip Gefter, January 23, 2014 (copy at the end of this response so those not familiar with this article can read it first). “CoC” …
My motto has been…anything for a great shot.
